G#
| I | | II | | III | | IV | | V | | VI | |
1-я | | | | | | | | | | | | | |
2-я | | | | | | | | | | | | | |
3-я | | | | | | | | | | | | | |
4-я | | | | | | | | | | | | | |
5-я | | | | | | | | | | | | | |
6-я | | | | | | | | | | | | | |
F#
| I | | II | | III | | IV | | V | | VI | |
1-я | | | | | | | | | | | | | |
2-я | | | | | | | | | | | | | |
3-я | | | | | | | | | | | | | |
4-я | | | | | | | | | | | | | |
5-я | | | | | | | | | | | | | |
6-я | | | | | | | | | | | | | |
C#
| I | | II | | III | | IV | | V | | VI | |
1-я | | | | | | | | | | | | | |
2-я | | | | | | | | | | | | | |
3-я | | | | | | | | | | | | | |
4-я | | | | | | | | | | | | | |
5-я | | | | | | | | | | | | | |
6-я | | | | | | | | | | | | | |
D#
| I | | II | | III | | IV | | V | | VI | |
1-я | | | | | | | | | | | | | |
2-я | | | | | | | | | | | | | |
3-я | | | | | | | | | | | | | |
4-я | | | | | | | | | | | | | |
5-я | | | | | | | | | | | | | |
6-я | | | | | | | | | | | | | |
Fm
| I | | II | | III | | IV | | V | | VI | |
1-я | | | | | | | | | | | | | |
2-я | | | | | | | | | | | | | |
3-я | | | | | | | | | | | | | |
4-я | | | | | | | | | | | | | |
5-я | | | | | | | | | | | | | |
6-я | | | | | | | | | | | | | |
F
| I | | II | | III | | IV | | V | | VI | |
1-я | | | | | | | | | | | | | |
2-я | | | | | | | | | | | | | |
3-я | | | | | | | | | | | | | |
4-я | | | | | | | | | | | | | |
5-я | | | | | | | | | | | | | |
6-я | | | | | | | | | | | | | |
Radio London (1990)
Listen To The Quiet One
G#
It's coming back now,
Back to the center,
F#
Rest in twilight.
G#
Talking in a different language,
Clear and delightful,
F#
There's no translation.
C# D#
Raised in wonder,
Fm
Shot in the back;
D#
This is The Central calling,
This is The Central calling,
This is the answer:
G# F
Listen to The Quiet One.
No need to worry
No need to hide
No way from the front line
Alone in the darkness
All the connections' been cut.
So I drank myself
Down to be up again
This is a different chapter
Written for your friends and lovers
This is the answer:
Listen to The Quiet One.